EDP: What is your first memory of encountering poetry?


I think the first poem that I remember enjoying was probably something by either A.A.Milne or Lewis Carroll. It was the rhythm of things like Milne’s “Disobedience” that I responded to and the sheer absurdity of Lewis Carroll.


And, thanks to school English lessons, I can still recite the opening of Macaulay’s “Horatius”. Deep breath: LarsPorsenaofClusiumBytheNineGodshesworeThatthegreathouseofTarquinShouldsufferwrongnomore. Etc.



EDP: Tell us a bit about the how, when and why you started to write poetry.


Up until a couple of years ago, you could count the number of poems that I’d written on the fingers of one hand. Actually, make that one hand that’s been mangled in some kind of ghastly industrial accident. Very few, anyway.


Then I joined a writing site called SlingInk where one of the regular activities is a monthly poetry challenge. I started to go in for this, and was surprised to find that my entries were occasionally voted for by the real poets in the group. That gave me the confidence to write more, although it wasn’t until about a year ago that I actually submitted anything for publication. The first piece that you published, “School Uniform”, was in fact only my second ever poetry acceptance.


I write poetry because I love writing and I love the feeling of having assembled some words that seem to work well together. And poetry gives you a quicker hit than a short story. It’s essentially the crack cocaine of literature, and it’s about as addictive as well.



EDP: When and where do you write and where do you find your inspiration?


The great thing about poetry is that it doesn’t take very long to write down, although it can be a long time in development. So I can be writing a poem in my head as I’m walking to the station in the morning, mowing the lawn, brushing the cat, anything. Some of my best ideas have come to me just as I’m dropping off to sleep, which can be inconvenient.



EDP: Which poet/s do you particularly admire and why?


I have pretty low-brow tastes. I like a poet who has a sense of humour, but can turn on the pathos when required: people like Roger McGough, Spike Milligan, Ivor Cutler, John Hegley and Benjamin Zephaniah. I’m not entirely sure whether he counts as a poet, but I also admire the work of Peter Blegvad. I’m a big fan of the way that songwriters like Jake Thackray, Victoria Wood and Vivian Stanshall use words, too.



EDP: What for you constitutes a good poem?  Have you an outright favourite?  

(If you have a favourite EDP poem, mention that too.)


A good poem is one where every word is earning its keep and one that actually adds some kind of value to those words by being something other than a very short story.


Favourites vary from day to day, from anything by one of the above, to something like Joni Mitchell’s “Last Time I Saw Richard” (not really a poem, I guess, but some of the saddest words ever written) or epics like “The Rime of the Ancient Mariner”. I love the variety of the poems that EDP publishes, and the fact that you can never predict what’s going to turn up in your inbox every day.



EDP: Tell us about your most read poem specifically.  How did it come into being and take shape and what does it mean to you personally?  Did the views or our readers make you see it in a new light?


“Professionalism” arose out of a weekly challenge on another writing site that I hang out on, Café Doom, where you have to come up with a short piece of dark fiction or poetry in response to a one-word prompt. The word for this particular week was “Silence”, which led to the image of the librarian running through her domain, desperate to avoid committing the ultimate sin against her profession. From then, it was just a matter of turning that image into words as succinctly as possible.



EDP: What are you working on now and what are your future plans?


I’m still finding my feet as a writer of poetry, so I’m still experimenting. I have absolutely no idea where it’s going! Obviously, I’d love to have my own slim volume published one day. But in the meantime, there’s a novel that I really should be finishing.


EDP: Thank you for such an enlightening and entertaining set of answers.  We look forward to seeing more of your work in our in-box – that’s for certain.





Jonathan Pinnock is married with two children, several cats and a 1961 Ami Continental jukebox. He doesn’t know a lot about poetry, but he seems to have had a few pieces published recently at places like this one and Ink, Sweat and Tears, and he’s even made it onto a couple of competition shortlists. His unimaginatively-titled yet moderately interesting website can be found at, and you can follow him on Twitter as @jonpinnock. 

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INTERVIEW WITH JONATHAN PINNOCK • by Jonathan Pinnock, 2.5 out of 5 based on 7 ratings
Posted on November 23, 2009 in Author Interviews
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  • Angel Zapata

    Wonderful interview.

  • http://None Roberta SchulbergGoro

    Interesting discussion. I’m sure many, like me, can identify with the kinds of attitudes and efforts in poetry as Jonathan Pinnock has well expressed.

  • Pingback: That Every Day Poets Interview : Jonathan Pinnock’s Write Stuff

  • Oonah V Joslin

    Shallow? far from it. I found your answers most interesting. It’s far from easy to talk about yourself and your writing, I know. But it takes courage to be here doing that and everyone appreciates it when a writer makes that effort.

  • Kathleen Cassen Mickelson

    I second what Oonah said!

  • dj barber

    You’ve had some very nice stuff here,Jonathan.


  • rumjhum biswas

    I think this is the best interview I’ve read so far in EDP. Thanks so much Jonathan. I found your opinions very insightful and honest; certainly learned something about poetry just now.

  • Oonah V Joslin

    So Jonathan, as my mentor always tells me Don’t Diss Yourself! :)

  • Jonathan Pinnock

    Aw, I’m blushing now. Thank you, everyone, for all the kind comments. And I really do appreciate the fact that EDP have seen fit to publish five of my pieces over the last year. Long may this place thrive!

  • Oscar Windsor-Smith

    ‘…it was just a matter of turning that image into words as succinctly as possible.’

    How very Jonathan Pinnock that is, modest as always.

    Excellent interview, Jon. More power to your… well, to your sleep-time inspiration and writing digits, I guess.
    ;) scar

  • http://None Roberta SchulbergGoro

    So good as the librarian is, the ultimate sin (para 16) nevertheless, is still killing people who annoy you.

    I particularly like the opinion ” A good poem is one where every word is earning its keep” (para 13 ), but in a good short story as well, every word earns its’ keep and adds value to the others.

  • Christine Coleman

    What a good idea it is to interview yourself – I might give that a try sometime!
    I write poetry and novels and they each have their own pros and cons – Although I agree with what you say here (“The great thing about poetry is that it doesn’t take very long to write down, although it can be a long time in development. ” ) My main diffiulty with poetry is that I’m always starting with a blank page. It’s only when I’ve got something written down that I can do what you do, (“So I can be writing a poem in my head as I’m walking to the station in the morning, mowing the lawn, brushing the cat, anything.”)

  • Pingback: Presenting the delectible, the outrageous, the inimitable…. drum roll here…Mr Jonathan Darcy – I mean PINNOCK…Oh BOTHER and Bum! « Parallel Oonahverse

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